Mixer: MCI 500
Master unit: Crane Song Avocet
Main Monitors: Dynaudio M4 – Chord amplifier
Nearfield: ATC SCM25A PRO, Genelec 1031a, Yamaha NS10, Auratone
Tape Recorder: Mci jh16 2″ 24ch, Telefunken m15a 1/4″ 2ch
Digital Recorder: 1.HDX Pro tools 12.6.1 + avid 8x8x8 + avid madi + orion32
Headphone system: Hear back
DYNAMICS:
- Api 2500 Bus Compressor
- Maselec MLA-2
- Distressor EL8-X
- 2x Crane Song Trakker
- Vintech 609CA
- La 2a – drip audio
- 2x Summit Audio TLA-100
- Joemeek sc2
- 2x Arrel audio R 506 (Argentini)
- 2x FMR Audio Rnc1773
- Dude G+ Stereo compressor (Alan Smart clone)
- 2x Dude Fet compressor (1176 clone)
- 1x Elysia mpressor 500
- 4x Valley People Gain Brain
- 1x Valley People 440 Dyna-Mite
- SPL Transient Designer 4 channels
- 3x Drawmer ds-201
- 1x Sansamp psa1
PRE:
- Mci 500 – 30ch
- Mci 500 John Hardy mod – 8ch
- Millennia HV-3D – 8ch
- 2x Arrel audio R501 (Argentini)
- 2x Bae 312B
- 1x Aurora GTQ2 – 2ch
EQ:
- 2x Speck Electronics ASC
- 1x Side B Studio P-Teq2 (stereo Pultec solid state)
- 1x Side B Studio Sontec Clone
- 1x Urei 546
- 6x Valley People maxi q
EFEX:
- Our true reverberation chamber (large country barn)
- Lexicon PCM 96
- TC Electronic M3000
- Demeter RV-1 spring reverb
- Vesta RV3 spring reverb
- AKG BX20 spring reverb
- Lexicon LXP1
- Plate reverb (home made)
- Binson Echorec
- Roland Space Echo 201
- Roland Chorus Echo 501
- Dynacord VRS23 (analog delay)
- Dynacord Echocord (tape echo)
- Fender tape delay
- Montarbo Disc Echo
- Dynacord TAM19
MICROPHONES:
- DYNAMIC: AKG D12, D112; Sennheiser MD421 (5x), MD441, MD21, E906 (2x), E902; Beyerdynamic M-88, M-69; Revox 3500; Shure SM7, SM57 (4x), 545SD (2x); ElectroVoice RE20; MXL Kicker A55
- CONDENSER: Neumann U87 Black (2x), TLM103, KM84, KM184 (2x); Sanken CU-41; AKG 414BULS (2x), AKG451 (4x); Advanced Audio CM47FETce, CM87se (2x); Lauten Audio Snare mic; Josephson C42 (2x); Sontronics Helios ; Audio Technica ATM450 (4x); Soundman OKM II Classic A3; Audio Line CM4 (2x), OM1 (4x)
- RIBBON: Coles 4038 (2x); Coles 4040; Reslo Ribbon (2x); NoHype audio LRM2b (2x); Beyer M160; RCA Jr74; Oktava ML19; Aphex Ribbon Mic
- VARIOUS: Telephon mic (2x); Carbon mic; Midland CB mod.; Mini tape cassette
KEYBOARD:
- Hammond A100 (con bass pedal su richiesta) + Leslie 251
- Arp Axxe
- Fender Rhodes Mark 1
- Hohner Pianet T
- Mellotron Micro
- Logan Electric Piano
- Logan String Melody
- Galanti Apollo
- Farfisa Harmo Transposer
- Viscount Transistorized Organ
- Nord Electro Sixty One
- Yamaha AN-1X
- Novation Drum Station
- EMU Proteus 2000
- Maschine MK2
PIANOFORTE:
- Yamaha C3
GUITARS:
- Yamaha
- Godwin Les Paul Style
- Squier Strat
- Danelectro Bariton
- Vantage Acoustic
- Alhambra Classic
BASSES:
- Alembic
- Fender Jazz Bass
DRUMS:
- DW Collector Series (acero): Kick 22″, Toms 10″ 12″ 14″ 16″, Snare 14×5″
- Pearl 60’s (ciliegio): Kick 22″, Toms 12″ 16″
- Tamburo Formula 99 (acero canadese): Kick 18″, Toms 10″ 12″ 14″, Snare 14×5″
- Yamaha Stage Custom (betulla): Kick 22″, Toms 10″ 12″ 14″ 15″
- Snare aggiuntivi: Ludwig Supraphonic 14×5, Mapex 14×6.5, Pearl Mastercast Hoop 14×5, Hollywood 14×5
PERCUSSIONS:
- Bongo Meinl
- Congas Meinl Headliner
- Timbales, guiro, cowbells, shakers, triangle
- Varie percussioni africane
GUITAR AMP:
- Gibson Skylark GA-5T (’60)
- Fender Twin Reverb (’70)
- Fender Super Twin (’70)
- Mesa Boogie Caliber 50
- Meazzi Combo (’60)
- Emthree Gunner Combo (’70)
- Emthree Total Combo (’70)
- Davoli Jolly Combo (’70)
- Marshall JCM800
- Orange OR50
- Sound City 100
- Hiwatt 4×12 (Fane) (’70)
- Hiwatt 4×12 (Celestion)
- ENGL Screamer 50 Head
- ENGL 4×12 Cabinet
BASS AMP:
- Ampeg Classic Head
- Ampeg Classic 1×15 Cabinet
- Ampeg Classic 4×10 Cabinet
- Acoustic 220 Head
- Acoustic 2×15 Cabinet
- Fender Bassman Compact
- Davoli Krundal Show III
- EM3
- FBT